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Gods and Generals

With a decidedly Confederate point of view, Gods and Generals charts the early years of the Civil War from 1861 to 1863. Every bleedin' minute of it.


From the creators of the TNT miniseries Gettysburg, including executive producer Ted Turner and writer/director Ronald F. Maxwell, Gods chronicles the Civil War from its beginnings when the South rises up. Confederate General Robert E. Lee (Robert Duvall), a distinguished military man but also a loyal native Virginian, chooses to fight for his home rather than his country while Thomas ''Stonewall'' Jackson (Stephen Lang), a devoutly religious man, becomes Lee's most trusted lieutenant. On the other side, we have Colonel Joshua Chamberlain (Jeff Daniels), a professor from Maine who ends up one of the Union's finest military leaders. In between there are glimpses of the wives and families left behind. Stories of this magnitude, with their dramatic, bloody battles and tragic endings, usually leave you numb or crying for those lives lost and destroyed. Instead, Gods and Generals holds no resonance whatsoever, meticulously plotting out the details and making this decisive moment in American history interminable at three and a half hours. It's like wading through a textbook--or worse, watching Civil War fanatics carefully reenact the famous battle scenes on the very ground they were fought, over and over again--while the players stand around quoting long-winded verse from the Bible or Shakespeare's Julius Caesar. Blech.


The actors in Gods and Generals must have honestly thought they were making something important when they signed up. Main players Lang (who played Major Gen. George Pickett in Gettysburg) and Daniels (who reprises his Gettysburg role as Chamberlain) have their moments, but after hearing them recite one speech after another, especially Lang's Jackson, who says more prayers to God than anything else, you start to wonder if they ever realized they made a mistake. (Or have we, for sitting through it?) One of the more superfluous scenes is when Jackson and his black cook, Jim, played by Frankie Faison, are standing outside in the freezing cold night for about 15 minutes, both looking up at the stars and praying to God. It seems like the actors are trying to make such sermonizing poignant, meaningful, but all this pontification simply drags the movie further down. These speeches aren't just Lang's and Daniels' territory--Mira Sorvino as Chamberlain's wife and Kali Rocha as Jackson's wife get their own personal moments in the sun, too. If you count the cast of thousands, each with their own things to say, well, you get the point. Thankfully, Duvall, who is the only good thing about the movie, gets to keep the talking to a minimum.


If you want to see a Civil War melodrama at its best, where watching the heroes race through a sacked city makes you hold your breath and witnessing horrific hospital scenes makes you squirm, then watch Gone With the Wind. If you want gut-wrenching Civil War battles or more understanding of how slaves truly felt, then watch Glory. If you want a heartening history lesson about the Civil War that not only teaches you about the era's political machinations but also shares the insights and thoughts of the men and women who experienced it, then watch Ken Burns' documentary series The Civil War. Gods and Generals offers none of that in its dry textbook version of the Civil War, which uses the same shots are used over and over again (how many times does the camera pan up to the night sky or show the panoramic view of Fredericksburg, Virginia? I lost count), features more actors waxing prophetic than real drama, and actually makes you yawn during what should be intense battle scenes.

Bottom Line

Stay far away from the three hour-plus Gods and Generals--unless, of course, you need a good nap.